The Freelancer has been made with workman-like efficiency, but the subject of Islamic terrorism could do with a break, points out Deepa Gahlot.
The jury is still out on Chhatriwali's flimsy public service, but Rakul sure passes the quality check, applauds Sukanya Verma.
Music School tries hard to make a case -- like 3 Idiots and Taare Zameen Par before -- to let children follow their artistic passions and not try to fit them into pre-set moulds, to which people might nod their heads in agreement before packing their children off to coaching class, notes Deepa Gahlot.
Bhool Bhulaiyaa 3 is going full throttle with its creeps and cackle, which marks the addition of Madhuri Dixit and re-entry of the OG Manjulika, Vidya Balan.
Lakadbaggha takes up too many issues and does not do justice to them, points out Deepa Gahlot.
Do yourselves a favour and read a book this weekend.
One of the great criers of her generation, Kiara's pain pierces through the screen and makes a heartfelt picture of how she feels even when the script cannot see her, observes Sukanya Verma.
Manjummel Boys gets so many things right, applauds Arjun Menon.
Kohrra is a terrific ensemble piece but the two fine leads keep show glued together, applauds Aseem Chhabra.
Afwaah is a sum of Sudhir Mishra's thought-provoking reflections and appeal to question what's real, what's rumour, notes Sukanya Verma.
Things get murkier and moronic in this staggeringly dumb, dull thriller, feels Sukanya Verma.
Code Name: Tiranga makes Deepa Gahlot feel nostalgic for Naam Shabana and forgive Dhaakad.
Akshay Kumar looks cool in that trippy get-up and adds his charisma to the film that is otherwise a lot of verbiage, observes Deepa Gahlot.
The Railway Men is a compelling watch; the subject is handled with seriousness and respect without going overboard with the dramatic impact, observes Mayur Sanap.
You neither get goosebumps nor the adrenaline rush of desh bhakti, which a film like Sardar Udham should give every Indian, observes Syed Firdaus Ashraf.
Kangana Ranaut ticks off all the boxes of the poker-faced spy model in Dhakaad, observes Sukanya Verma, but the the movie needs real rescuing.
Bhediya is an easy, entertaining watch, raves Sukanya Verma.
The Song Of Scorpions is a reminder, if one were needed, that Irrfan was not just a star actor but a true artiste, observes Deepa Gahlot.
Charlie Chopra and the Mystery of Solang Valley is fun in parts, discovers Deepa Gahlot.
Shoorveer revolves around the done-to-death India-Pakistan rivalry, which is no longer engaging, observes Namrata Thakker.
Much of Sajini Shinde Ka Viral Video's enjoyment comes from the carefully picked star cast who do a pretty good job, observes Mayur Sanap.
Kunal Kemmu's default mode performing comedy is overacting. When surrounded by much more competent theatre-trained actors, he falls consistently short. (In the past, this role would have been tailor-made for Govinda), observes Deepa Gahlot.
'You can imagine for India what Shuks means not just to the billions of people in India but the entire Indian diaspora around the world.'
Hunter Tootega Nahi, Todega is bizarre, unintentionally funny, discovers Deepa Gahlot.
Guardians of the Galaxy Volume 3 makes you laugh, cheer, whistle and weep along with your favourite superheroes, applauds Mayur Sanap.
It looks like Diljit is having a field day with this one, one hopes his joy rubs off on viewers as well, notes Mayur Sanap.
Mister Mummy is neither a comedy nor an emotional drama, observes Deepa Gahlot.
Since the actors fit their parts perfectly, and everybody gets enough of an opportunity to shine, they have become familiar to viewers. So along with its relatable, laugh-out-loud content, they are a big reason for the show's popularity, notes Deepa Gahlot.
Looop Lapeta is wacky, funny and vibrant, all at the same time, observes Namrata Thakker.
The real scene stealer of Ajay-Tabu's Fury Road is Deepak 'Deadly' Dobriyal, applauds Sukanya Verma.
I was very happy to see the old Shah Rukh Khan back. Please, leave the action to Salman Khan, requests A Ganesh Nadar.
An entertaining spy thriller with world politics bunged in: Utkarsh Mishra endorses Jack Ryan, Season 3.
Dahan is an engrossing watch with the right amount of scare, observes Namrata Thakker.
In terms of plot, Season 4 matches Season 1. It is grim, fast-paced and engaging, recommends Deepa Gahlot.
There are plenty of shootouts and a fair amount of sex over the nine brisk episodes though the dialogue is thankfully free of profanity, observes Deepa Gahlot.
The hour-long episodes lurch from adrenaline-pumping to yawn-inducing, observes Deepa Gahlot.
Khuda Haafiz 2 is an unnecessary sequel, observes Namrata Thakker.
Jehanabad: Of Love And War authentically captures Bihar's political skullduggery and caste violence, observes Deepa Gahlot.
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